Mr. Burton worked in a tradition of utilitarian modernism that started with the Russian Constructivists and was continued by the De Stijl and Bauhaus artists. His greatest achievement may lie in his forays into public art, which evolved in accordance with his belief that art should »place itself not in front of, but around, behind, underneath (literally) the audience. »
By the end of his life, Mr. Burton’s simple yet eye-catching benches, stools and chairs, cut from smooth and sometimes jagged pieces of granite, could often be found with people sitting on them in several North American cities, including Seattle, Cincinnati, New York City, Portland, Ore., and Toronto.
Mr. Burton, a small, wiry man known for his erudition, verbal precision and explosive laugh, worked as a critic and an editor for Art News and Art in America before becoming a full-time artist. He emerged in the late 1960′s and early 70′s as part of an artistic generation that came of age in the shadow of Minimalism.
source: The New York Times
By Jérôme Nadeau for Studio SPG